Track Listing

1. Lord Knows I Would
2. You're So Bad for Me
3. Joy Spring
4. Dreamer's Ball
5. Sorrow's Eyes
6. Mood Indigo
7. Early Autumn
8. Listen, Emily
9. Hollywood Love
10. 'Round We Go
11. Vice and Vanity
12. Better Days

Product Details

• Amazon Sales Rank: #9239 in Music
• Released on: 2008-02-26
• Number of discs: 1
• Dimensions: .20 pounds

Customer Reviews

Eclectic and intriguing.
This album is a breath of fresh air! It's refreshing, relaxing, and something you can listen to on repeat.
For several years, L.A.-born songwriter/vocalist/musician Raya Yarbrough has been captivating West Coast audiences with a mesmerizing blend of jazz, pop, rhythm and blues, Latin and much more.
On the strength of compelling live performances that reveal shades of Joni Mitchell, Duke Ellington, Bjork and a variety of other diverse influences, she has captured the attention of critics from either coast as an up-and-coming star.
The LA Times called her voice "a pliable, versatile instrument, an effective vehicle for a musical expression that ranges freely from pop-style ballad to surprisingly effective scat singing".
Raya Yarbrough's self-titled debut embraces the broad sweep of her musical influences and the insightful songcraft that has become her trademark.
A promising debut from the Californian singer, strongly influenced by Joni Mitchell and Steely Dan.
It's more crossover than straight jazz, but her personality comes through strongly.
Drawing on several musical strands, it doesn't have to mean compromise.
It's a hidden gem.
This CD is a MUST HAVE for anyone who is a self proclaimed neo-jazz fan or anyone who has a good taste in music.

A Very Impressive Debut
Anyone who can score a first recording contract with Telarc must be something special. And Raya Yarbrough is. This eponymous debut is as good a debut c.d. (outside of Roberta Gambarini's, that is) as there is, and leaves me with a world of hope and expectations for Ms. Yarbrough's future.

Raya Yarbrough, who looks like a cross between Cher and Rain Pryor, sounds like a cross between Patricia Barber, June Christy and Tierney Sutton. This c.d. is eclectic. At times, Ms. Yarbrough sounds like she's ready to break into the top 40, what with her catchy "You're So Bad For Me," and her "Honky Cat"-sounding "Round We Go." But then she knocks off a gorgeous vocalese version of "Mood Indigo," with an arrangement that starts out like Monk's "Ruby, My Dear." And then an even more gorgeous dreamy version of "Early Autumn," complete with string quartet. Then a cross between folk, r & b and close vocal harmony with "Dreamer's Ball." Then a dreamy version of Clifford Brown's "Sing Joy Spring," with none of the pep usually associated with that tune.

Sometimes eclecticism like this can drive me mad. But in this case, the musicianship is so good that it doesn't. Kudos to Steve Bartok, the producer. Plus, Ms. yarbrough is a terrific songwriter. My favorite on this disc is "Listen, Emily," an angular-sounding cautionary tale to a young woman who is moving too fast. Likewise, "Hollywood Love," a tale of how the bleached-blonde look is what attracts "dumb men" for whatever reason, is one that I could see covered by others in the future.

I'm a little bit surprised that I'm the first Ammy reviewer to review this. This c.d. has been getting pretty good press in the trade mags. And for good reason. I think that as Raya Yarbrough finds her voice, she will record some Grammy-winners at some time in the future. RC

Brilliant
Raya Yarbrough's debut album showcases an enormous talent: wonderful vocal and emotional range, beautiful original music, and an interesting and altogether unique take on some standards, like "Mood Indigo." Betcha never thought that Queen's "Dreamer's Ball" could make you misty. You've never really heard what underlies these lyrics, this melody till you hear Raya Yarbrough sing this song. She has such an eclectic range of material--and vocal control over her material--that the album creates its own singular mood. "You're So Bad for Me" will have you dancing in your kitchen (or wherever you listen to music) and "Listen, Emily" is a haunting cautionary tale. There are many young singers out there, but this one is the one to watch. She weaves complex emotions around memorable music. Her delivery on the album is impeccable. And in performance, you can't take your eyes off her. If you have the opportunity to see her live, go. Ask her to sign your cocktail napkin, and frame it. You won't be sorry.