On their sixth release, the duo get some help from Danger Mouse who spices things up but leaves their original sound intact. The loops and beats only add to their style of the blues that they’re playing.

Reunited and it feels so good. This album combines the musical genius of two true artists with surprisingly mainstream effects, that still seem a little offbeat.

The little band that could. Amidst all the hype these Brooklyn boys delivered. Fun, catchy and hard to resist.

I always love a great break-up song and this one is chock full of them. Pink covers a lot of territory on this album delving into pop, rock, blues and ballads. The common denominator that brings them all together is her raspy voice perfectly suited to deliver the biting lyrics.

On his third release, Ray is trying his best to be a little more upbeat. While this is a welcome change, the songs that stand out the most as still the quieter ones.

These guys seem to be taking lessons from Radiohead...exploring their experimental side but still managing to rock.

This Brooklyn duo captured a lot on their first release: Some funk-filled psychedelic experimentation.

(TIE) From the start of this record it sounds like you’re listening to classic Al Green circa 1971. A fine album that brings you back to a much simpler time.

This was a year full of indie boy bands. While I sometimes had trouble keeping them all straight, these guys stood out by simply delivering a solid album...that and Will Sheff’s distinct vocals.

While not her best, the Queen of Pop offers up a solid set of songs that will get your booty shaking on the dance floor.

(TIE) Wolf Parade are a little difficult to pinpoint. They may sound like several different bands from track to track, yet still maintain a cohesive sound.